Rubiks: Rorqual
Dec
5
to Dec 7

Rubiks: Rorqual

In the northeast Pacific in the late 1980s, oceanographers detected a uniquely high-pitched whale song that had never been documented before. It seemed to be coming from a single individual. Scientists dubbed it the ‘52-Hertz Whale,’ and continued to record it whenever its song was detected. To this day, the whale continues to sing, but has never been sighted, nor been identified by species. Its migration patterns resemble those of the rorqual whale family—blue and fin whales specifically—but its voice is much higher. The recordings suggest the whale has never found a mate or a pod; whether this is because other whales can’t hear it, or do not recognise it as one of their species, is not known. It has been called by some “the world’s loneliest whale.”

Rorqual takes the story of the 52-Hertz Whale as the inspiration for an intimate and affecting work that journeys through withdrawal, solitude, resilience, and connection. Using found and repurposed texts drawn from the deep past to the present, composer Wally Gunn’s song cycle fuses classical and indie-rock music, and features the ethereal vocals of jazz singer Gian Slater, the searingly precise musicians of Rubiks Collective, immersive interludes from sound artist Tilman Robinson, and dark dreamscape projections from film artist Chris Bennett. The show takes the audience from the ocean’s shimmering surface to its mysterious depths, and back.

Join us for Rorqual, the story of this modern-day mythological creature that continues to sing its one-of-a-kind song.

Dates:
Thursday 5th December, 7.30pm
Friday 6th December, 7.30pm
Saturday 7th December, 2pm & 7.30pm

Venue:
Temperance Hall
199 Napier St, South Melbourne, 3205

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Speak Percussion: The Ninth Tone
Dec
1
7:00 PM19:00

Speak Percussion: The Ninth Tone

  • Museum of Chinese Australian History (map)
  • Google Calendar ICS

Presented within the oldest continuous Chinese settlement outside of Asia, The Ninth Tone speculates on the legacy of Chinese Music outside of China since the 1800s. First conceived by Leung in 2022, this iterative project uses intonation, materiality, memory, and echo in a hauntological reimagining of Chinese Australian music.   

This project problematizes simplistic dominant cultural understandings of ‘east meets west’ that ignore significant historic lineages. Chinese culture and music has been present in Australia for almost 200 years, and cross-cultural collaboration is almost as old. The Ninth Tone offers an alternative answer to the question of what Chinese Australian music is and can be. 

Concept / Composer / Performer: Jasmin Wing-Yin Leung
Artistic Collaborator / Sound Artist / Performer: Sally Ann McIntyre
Performer: Mindy Meng Wang
Performer: Kaylie Melville
Producer: Chelsea Byrne
Produced by Speak Percussion

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